BLAKE SHELTON RELEASING NEW SINGLE, VIDEO “NO BODY” FRIDAY, AUGUST 19

 ‘90s Inspired Video Features a Retro Shelton

Blake Shelton moved to Nashville in the 1990s to follow his country music dreams. With the release this week of his new single, “No Body,” Shelton once again feels like a teenager. “I get excited and feel like a kid every time we release new music,” said Shelton. “But this song in particular takes me back to the ‘90s when I was in high school and first moved to Nashville, because it feels like what the music sounded like at that time.”

Written by Rodney Clawson, Chris Tompkins and Josh Kear, “No Body” tells the story of a guy who doesn’t want to be with “No Body” but the person he’s with. “The hook confused me the first time I heard it – I’m hoping it’s the same way for everyone else so they have to listen to it a bunch of times to figure it out!” laughed Shelton.”

Both the song and the official music video will be available on Friday, Aug. 19. Filmed in a country bar in the Los Angeles area, the video harkens back to that ‘90s era when country establishments were filled with patrons line dancing. The video is authentic to the time and finds Shelton wearing a cowboy hat on top of his infamous mullet.

In addition to the new music, Shelton, who is celebrating his 12th year as a Grand Ole Opry member, will return to the Opry stage in Nashville on Saturday, Sept. 10 for performances in both the early and late shows. Shelton will no doubt perform his new single as well as several of his 28 No. 1 singles.

ANNE WILSON SCORES SIX DOVE AWARDS NOMINATIONS

Capitol CMG artist and songwriter, Anne Wilson, has just scored six DOVE Award nominations for her major label debut album, My Jesus, including breakout tracks “My Jesus” and “Mamas (feat. Hillary Scott).” The Gospel Music Association’s DOVE Awards honors outstanding achievements and excellence in Christian and Gospel music.

“I am absolutely blown away that I’ve been nominated for SIX Dove Awards,” says Wilson. “God is beyond kind and faithful. I’m so grateful for all who have supported me so far on this journey and especially those in my GMA family. I cannot wait to continue to make music that glorifies God and points people back to HIM!”

Anne has been nominated in the following categories:

Song Of The Year – “My Jesus”

Songwriter Of The Year (Artist) – Anne Wilson

New Artist Of The Year – Anne Wilson

Pop/Contemporary Recorded Song Of The Year – “My Jesus” Anne Wilson

Bluegrass/Country/Roots Recorded Song Of The Year – “Mamas” Anne Wilson, Hillary Scott

Pop/Contemporary Album Of The Year – My Jesus Anne Wilson

Anne’s debut album, My Jesus, hit the #1 spot on multiple charts include Billboard’s Top Christian & Gospel Albums, Billboard’s Top 200 Christian & Gospel, Billboard’s Top Albums. The album’s title track, “My Jesus,” earned Anne her first RIAA Gold Certification and a 2022 Billboard Music Award nomination for “Top Christian Song.” The album also made CCMG history, scoring the biggest debut week in over 15 years by a Capitol Christian Music Group-signed new artist.

Her single, “Mamas,” was released this past Mother’s Day weekend and features one of her personal musical inspirations, Hillary Scott. The moving music video about the importance of a mother’s love has amassed over 8.5 million Facebook views to date.

Anne’s latest single, “Hey Girl,” is out now and impacting Christian radio on September 16.

For additional information on Anne Wilson tour dates, please visit: https://www.annewilsonofficial.com/tour/#/home

THE AMERICANA MUSIC ASSOCIATION PREVIEWS SPOTLIGHT ON ARKANSAS AT AMERICANAFEST 2022

Upcoming programming focusing on the music of Arkansas will take place at the association’s 22nd annual music festival and conference event, Sept. 13-17 in Nashville, Tenn., presented in partnership with Arkansas Tourism and Visit Bentonville

This year, the Americana Music Association has selected the state of Arkansas as the regional music focus for its 22nd annual AMERICANAFEST, Sept. 13-17 in Nashville, Tenn. In partnership with Arkansas Tourism and Visit Bentonville, the destination music festival and conference event previews this special programming today that features multiple panels, special events and a music showcase over four days. Highlights include a panel focusing on the life and legacy of Johnny Cash; a special event with the brightest, upcoming Arkansan artists that are pushing the Americana genre forward; and an evening showcase of music with a star-studded tribute to Levon Helm. A full slate of programming can be found below.

“We’re beyond thrilled to spotlight the state of Arkansas at this year’s festival and celebrate its rich musical heritage,” said Jed Hilly, Executive Director of the Americana Music Association. “Through this programming, attendees will be able to experience the sounds of delta blues, rockabilly and Ozark folk, as we welcome our friends from the Arkansas tourism, music and creative industries who have built and are expanding the tradition of Americana.”

The Natural State has produced some of the most diverse and iconic pioneers of American music and contributors to the American songbook. From Sister Rosetta Tharpe, considered to be the birthmother of rock and roll, to Louis Jordan who ignited the move from rhythm and blues to rock and roll. Directly influenced by these local pioneers, Arkansas gave the world Johnny Cash, Charlie Rich, Al Green, Levon Helm, Ronnie Hawkins, Glen Campbell, Albert King, Howlin’ Wolf and many more. Two of the most significant artists mentioned in any of the writing about the roots of Americana music are Levon Helm (and The Band) and Johnny Cash, both Arkansas natives.

The Arkansas spotlight begins at the three-day conference portion of AMERICANAFEST on Wednesday, September 14, with music executive, visionary and Arkansas native Al Bell as a featured panelist for “Wattstax Now And Then: Celebrating 50 Years of Wattstax and Americana Music by Black Artists.” Bell, the former owner and CEO of the historic Stax Records, was born and raised in Brinkley, Arkansas before he became a disc jockey in Little Rock. He then propelled his Sunday morning DJ shifts into a lifelong career in the industry, working in promotions and producing records before making his way to the top of Stax Records. Hear from Bell and other contemporaries about the historic ’72 Wattstax festival that restored the Watts community spirit following the neighborhood rebellions outside of Los Angeles, California.

Additionally, Wednesday will include Arkansas musician Rev. Greg Spradlin moderating “Arkansas Creatives,” a discussion on creative influences that developed the Americana sound in The Natural State, with panelists Bonnie Montgomery, Jason Weinheimer (Fellowship Hall Sound) and Arkansas music historian Stephen Koch. The session will focus on how the Arkansas culture spawned the musical creativity that led to multiple influential artists carving a distinct Americana sound.

Peering into the past, industry veteran Sharon Corbitt will lead a history lesson during “Arkansas’ Delta Roots” on the innovators and originators of the southern delta sound. From gospel to country to blues, Larry McCray, Munnie Jordan (King Biscuit Blues Festival) and more panelists to be announced will discuss the artists that had a direct impact on the foundation of Americana.

Thursday is full of musical performances at 3rd and Lindsley. Sponsored by Arkansas Tourism and Visit Bentonville, the day begins with a special day party hosted by The House of Songs. The “Arkansas Extravaganza” will have appearances from Dylan Earl, David Starr, Shannon Wurst and more.

Following a glimpse into the future of Americana, the festivities continue in the evening with Arkansas showcasing acts taking the stage, which includes Willi Carlisle, Erin Enderlin, Larry McCray, Rev. Greg Spradlin and Bonnie Montgomery. The night closes with a special tribute honoring the career of Arkansas native Levon Helm. Backed by an Arkansas All-Star house band, Mike Farris, Allison Moorer, Autumn Nicholas, Webb Wilder, Oliver Wood and more will salute the legendary artist.

Kicking off the festivities on Friday, musician, writer and performer Robert Burke Warren will lead the charge on “Johnny Cash: An Arkansan Icon Endures,” with a deep dive into Cash’s historic career. Nearly 20 years after his passing, the Man in Black’s impact and influence still crosses genres, backgrounds and generations. His legacy as an Arkansan lives on through film, books and social media. AMERICANAFEST brings together Beverly Keel (MTSU), Adam Long (A-State Heritage Sites) and Robert K. Oermann to look at how his legacy has stood the test of time.

Returning on Saturday, September 17, The House of Songs hosts the “Arkansas Explorer Day Party” that will wrap up the week-long celebration and highlight the very best that The Natural State has to offer. Sponsored by Arkansas Tourism and Visit Bentonville, songwriters and Arkansas natives spotlight the sights, sounds and more with performances at InDo Nashville.

Those interested in attending AMERICANAFEST panels can purchase a 2022 Conference Registration (currently priced at $499 / $399 for Americana Music Association members), giving access to over 45 industry panels, more than 175 nightly showcases and close to 65 special events across town in Nashville. Music fans who are just interested in the nightly music showcases can purchase a Festival Wristband at $175, which allows entry into official showcases and select special events.

ERIC CHURCH RELEASES CHURCH CHOIR-EXCLUSIVE & ALBUM TO THE PUBLIC

Middle Installment From Three-Part Heart & Soul Project Features Current Single “Doing Life With Me

Having recently celebrated the first anniversary of his ambitiously groundbreaking Heart & Soultriple album release, Eric Church fans everywhere can now enjoy the middle installment of the project, with the album previously available only to the Church Choir now offered publicly HERE via standard CD, black vinyl and digital platforms.

“Small but mighty, the six-song collection simmers on vulnerable hits,” praises Entertainment Weekly of the Jay Joyce-produced project, with The Wall Street Journal celebrating Church as “knowledgeable and respectful of Country’s history, but not shackled by it” and Forbes acknowledging his penchant for “super-serving his loyal Church Choir crowd.”

Like chart-topping bookends Heart and Soul& is the result of the famed marathon session Church spent sequestered in rural North Carolina, writing and recording a song from start to finish each day for nearly a month. In addition to earning massive critical acclaim and a Best Country Solo Performance GRAMMY nomination, the initial trifecta release also made waves atop the Billboard charts. Church replaced himself atop the all-genre Top Album Sales chart in back-to-back weeks, with all three albums landing in the Top 10 concurrently and Church becoming the first country artist to simultaneously occupy the two top spots on the Billboard Vinyl Albums chart since its inception in 2011, with Soul and respectively.

As well as the poignant “Through My Ray Bans,” dedicated to the fans he played for at Route 91 Harvest Country Music Festival, the album also features four new-to-the-public songs – “Do Side,” “Kiss Her Goodbye,” “Mad Man” and “Lone Wolf” – plus the 2020 CMA Entertainer of the Year’s latest single, “Doing Life With Me.”

BILL ANDERSON AND DOLLY PARTON UNLEASH BLUEGRASS VERSION OF “SOMEDAY IT’LL ALL MAKE SENSE”

Whisperin’ Bill Anderson and Dolly Parton release a bluegrass version of “Someday It’ll All Make Sense,” available everywhere today.

To stream and download “Someday It’ll All Make Sense (Bluegrass Version)” click HERE.

“The bluegrass/acoustical version was the original way this song was recorded. Sierra Hull played mandolin, her husband, Justin Moses, played fiddle and dobro and the record was co-produced by longtime bluegrass stalwart, Thomm Jutz. Both Dolly and I have a deep appreciation for the simplicity and authenticity of this type of music, and we both wanted this version to be heard,” Anderson shared. “I think the intimacy and warmth of the acoustical approach allow the lyric of the song to stand out even more. And it’s that lyric that seems to be resonating with people.”

The song’s poignant lyrics are brought to life under the masterful direction of Trey Fanjoy (Taylor Swift, Steven Tyler, Paul McCartney, Keith Urban, Reba McEntire, George Strait, Loretta Lynn, Jack White), as the video shows the two country music icons journey down the road to hope. “Someday It’ll All Make Sense” was co-written by Anderson with Bobby Tomberlin and Ryan Larkins and is on Anderson’s most recent release, As Far As I Can See: The Best Of, released June 10 by MCA RecordsTo stream or download, click HERE.

As Far As I Can See: The Best Of is a collection of 16 songs and shares its name with the current exhibition at the Country Music Hall of Fame, Bill Anderson: As Far As I Can See. The name comes from the opening line of one of the first songs he ever wrote, “City Lights,” the country classic that was a hit for Ray Price in 1958. In addition to such beloved songs as “City Lights,” “Still,” Po’ Folks,” The Tip Of My Fingers,” and “Sometimes,” the album features a new song with country icon Dolly Parton, “Someday It’ll All Make Sense.” The newly recorded duet is joined by Anderson and Parton’s first-ever collaboration, an incredibly rare demo of “If It Is All The Same To You,” recorded in 1964 and eventually released as a duet with Jan Howard on Anderson’s chart-topping 1969 album of the same name. As Far As I Can See: The Best Of, was released by MCA Nashville/UMe, which has been Anderson’s label home for most of his seven-decade long career. The new project is released in conjunction with the first-time digital release of seven of Anderson’s albums from the 1960s, available HERE.

TIFFANY WILLIAMS USES A WRITER’S TOUCH TO TELL HER STORY OF EASTERN KENTUCKY ON DEBUT ALBUM ALL THOSE DAYS OF DRINKING DUST

Williams’ next performance is on August 27th in Newport, KY

Eastern Kentuckian Tiffany Williams is an award-winning fiction writer and a self-described lexophile who’s taught high school English and studied Appalachian speech and sociolinguistics in graduate school—not to mention working as a dialect coach on the set of “The Evening Hour,” which debuted at Sundance in 2020. She’s also the daughter, granddaughter, and great-granddaughter of eastern Kentucky coal miners. Williams’ profound way with words combined with her unique perspective of culture and heritage shines on her debut full-length album All Those Days of Drinking Dust, which was released today to the delight of fans and critics alike.

All Those Days of Drinking Dust can now be purchased or streamed by following this link. Williams’ tour continues on August 27th in Newport, Kentucky and she will make her Mountain Stage debut on August 28. A full list of tour dates can be found below or at tiffanymwilliams.com.

More About All Those Days of Drinking Dust: Williams and legendary Lexington, Kentucky-based producer Duane Lundy (Ringo Starr, Jim James, Sturgill Simpson, Vandaveer) recruited an eclectic band of pickers from the Commonwealth that add energy and nuance to each track. Virtuoso cellist Ben Sollee lends a ghostly vibe to “The Sea,” while J. Tom Hnatow adds bass, acoustic guitar, electric guitar, and steel to other tracks throughout. There’s percussion from Tripp Bratton; contributions on keys, acoustic, and electric guitars from Justin Craig; fiddle stylings from Ellie Miller; and Taylor Shuck on banjo. Fellow Kentuckian and noted New York Times best-selling novelist Silas House adds vocals to a lively duet. Lundy not only produced and contributed keys but also engineered and mixed the recording.

Along with the standout title track that opens the album, the recording is a vocal tour de force with songs all written by Williams. They run the gamut from a timely track about a woman who has nothing in her purse except “an EBT card and two full packs of Winston Lights” (“Don’t Give a Damn”) to a stunning ballad called “Harder Heart,” showcasing a narrator who wishes she weren’t so forgiving. Another highlight is “The Sea,” an image-driven articulation of longing. This theme shows up less hopefully on “Wanted It To Be” and more laidback on “When I Come Back Around,” a lively, banjo-driven duet about two people who love each other but also need to make their own ways in life. “No Bottom” plays like a powerful short story as a monologue about someone who realizes she should have taken better care of herself instead of tending to everyone else. Williams’ truest power as a vocalist is the genuine ache she possesses, never better showcased than on the closing track, “The Waiting,” when she sings “I love you like the mountains love the warm sunrise/I love you/Is that alright?”

RANDY TRAVIS VISITS COUNTRY REBEL RANCH FOR A DAY OF MUSIC WITH RISING ARTISTS TONY JACKSON, KARISSA ELLA AND JUSTIN HOLMES

Country Music Hall of Fame member Randy Travis, paid a visit to the Country Rebel Ranch to inspire up-and-coming artists Tony Jackson, Karissa Ella and Justin Holmes. In addition to celebrating Randy’s birthday, each artist picked their favorite classic Travis song to perform for him. The series launched with a trailer featuring interviews with each artist, Travis and wife, Mary, as well as Kevin and Darin Blue. Each performance has followed, with the final launching next Tuesday. Watch the series in full, here: https://lnk.to/cr-randyPR

This year, Warner Music Nashville and YouTube teamed up to bring Travis’ recently released “More Life” documentary to the platform in a seven-part series that is available to stream now and has amassed 145,000 views. “More Life” started as an intimate concert special in 2011 to honor the 25th anniversary of Randy Travis’ iconic album Storms of Life. Many didn’t know how important this documentary would become. As the film was being finalized in 2013, Randy unexpectedly became ill and suffered a massive stroke, making him unable to perform and severely limiting his speech due to aphasia. The film touches on his storied career, envelopes the final professionally filmed live performance from the man and inspires with his story of healing, redemption and faith. It was directed and produced by Shaun Silva and Tacklebox Films with WMN’s Shane Tarleton and Mike Dupree serving as executive producers. Additionally, the full documentary is now available for purchase on iTunes. Both links here: https://wmna.sh/morelife.

DAVID FRIZZELL CELEBRATES 40TH ANNIVERSARY OF #1 HIT “I’M GONNA HIRE A WINO TO DECORATE OUR HOME”

TO BE INDUCTED INTO THE TEXAS COUNTRY MUSIC HALL OF FAME THIS WEEKEND IN CARTHAGE, TEXAS

CMA and ACM award-winning and Grammy-nominated hitmaker, David Frizzell will have the prestigious honor of being inducted into the Texas Country Music Hall of Fame this coming weekend in Carthage, Texas. The Texas Country Music Hall of Fame celebrates outstanding contributors to the industry and will also induct Buddy Holly and The Texas Tenors.

“This weekend really is going to be something special for me,” says David Frizzell. “I love country music, I love Texas, and I love the fact that my song ‘Gonna Hire A Wino’ was the number one song in the United States forty years ago, what could get any better than celebrating all of these things at once!”

Frizzell is celebrating the 40th anniversary of “I’m Gonna Hire a Wino To Decorate Our Home,” which topped the charts this week in 1982. This being the back-to-back #1 song for Frizzell, following “You’re The Reason God Made Oklahoma.”

About David Frizzell:
David Frizzell lived all over Texas starting in Greenville Texas in the early ’40s when his dad went to Europe in WW2. He had his first radio show at the age of 9 in Kermit, Texas, then on to Sulphur Springs where they lived when brother Lefty got his first number one hit (and younger brother Allen was born). He began touring with his legendary brother, Lefty Frizzell at the age of 12 throughout the 1950s and 60s. After serving in the Air Force, Frizzell signed with Columbia Records in 1970 and charted his first Billboard single with “L.A. International Airport” and then a Top 40 with “I Just Can’t Help Believing.”

During the 1970s, Frizzell appeared regularly on Buck Owens’ All American TV Show and began recording for Capitol Records. In 1981, he recorded his first number-one country hit, “You’re the Reason God Made Oklahoma,” a duet with Shelly West. The song won the Country Music Association’s Song of the Year and Vocal Duet of the Year awards in 1981, was nominated for a Grammy Award for Best Country Performance by a Duo or Group with Vocal, and was featured in Clint Eastwood’s film ‘Any Which Way You Can.’ Frizzell and West also won the Academy of Country Music award for Vocal Duo of the Year in 1981 and 1982.

In recent years, Frizzell created his label Nashville America Records and has released several albums including Frizzell & Friends: This Is Our Time which includes a bonus track, written in honor of Lefty Frizzell, Merle Haggard, and traditional music in general. “Lefty, Merle & Me” features David with Marty Haggard.

David Frizzell is a timeless and tireless entertainer who continues to share his many gifts to the delight of fans old and new across the US and throughout the world.

William Lee Golden and The Goldens Release “Take It Easy” Single and Music Video

William Lee Golden and The Goldens New Three-Volume Collection, Golden Classics Available Now

Country and Gospel Music Hall of Fame and Grand Ole Opry member William Lee Golden and his sons ‘The Goldens’ join together in perfect harmony with the release of “Take It Easy,” from their new 3-album set, ‘Golden Classics’. Each group member’s talent shines on their version of the Eagles’ hit song, and their fun-loving chemistry is heard throughout the single. ‘Golden Classics’ which includes ‘Southern Accents,’ ‘Country Roads,’ and ‘Old Country Church,’ is the highly anticipated collection that contains over 30 songs spread across several genres that all have an impact on the lives and careers of William Lee Golden and The Goldens. Recently, William Lee Golden and The Goldens made their Grand Ole Opry debut as a family and continue to add shows throughout the country. The music video for “Take It Easy” was featured by M Music & Musicians Magazine and the single is available to download on all digital platforms today!

To order Golden Classics, visit HERE.

“This has always been a family favorite and since this is the 50th Anniversary for the song, it seemed appropriate to include on our new project. I hope everyone enjoys it as much as we enjoyed creating it,” shares William Lee Golden.

‘Southern Accents,’ ‘Country Roads’ and ‘Old Country Church’ were recorded when Golden gathered his sons Rusty, Craig, and Chris, his grandchildren Elizabeth, Rebekah, and Elijah, and friends Aaron McCune, and Ben Isaacs to bring their fresh interpretations to longtime favorites. William Lee Golden and The Goldens deliver reminiscent renditions of Johnny Cash’s “I Still Miss Someone,” and Jim Reeves’s “Welcome to My World.” Chris shines on Tom Petty’s “Southern Accent,” while Rusty delivers a vibrant take on Bob Seger’s hit “Hollywood Nights” and Craig, the rarely heard Golden, revives Gregg Allman’s “Multi-Colored Lady.”

ELLE KING SET TO RELEASE BEHIND THE SCENES LOOK INTO THE “WORTH A SHOT” MUSIC VIDEO WITH DUET PARTNER DIERKS BENTLEY

The CMA Fest Co-Host is Savoring the Summer with Hit New Single and Tour with Chris Stapleton

Elle King is living her best life and having a blast along the way. As “Worth A Shot,” her new single and music video is rising the charts and continuing to garner massive streaming support, King is set to release a behind the scenes peak on set at the recent video shoot. Fans can watch here.

Collaborating with her longtime friend Dierks Bentley, “Worth A Shot,” is about a song about a relationship that is on the rocks but is ‘worth a shot’ at saving. Of the song, Wide Open Country noted, “The song is full of wordplay and lyrics regarding shots and alcohol while still telling the story about the struggling couple.”

The concept for the music video was created and written by King who collaborated with directors Stephen Kinigopoulos and Alexa Stone (Running Bear Films).  Filmed in Murfreesboro, TN, the video flashes back to the Wild West in the late 1800s where King and Bentley star as husband-and-wife outlaws. With wanted signs, a liquor-filled saloon, and a shot for shot duel, the cinematic video is an unexpected take on the “highly engaging” (MusicRow) tune.

Last week King and Bentley hosted the CMA Fest primetime special on ABC which won the nightly ratings in total viewers. Filmed from Nissan Stadium in Nashville, TN during the 49th CMA Fest in June, the television special features 30 of music’s hottest stars as they take the stage during the four-day festival. In addition to hosting, King had several performances in the special including her smash hit Ex’s & Oh’s” where she was joined by her friend Ashley McBryde for a performance that Music Mayhem Magazine said “Stun With a One-Of-A-Kind Collaboration.”

Fans who didn’t have a chance to tune-in to the CMA Fest Special can catch King on the road with multi-Grammy winning artist Chris Stapleton and his “All American Road Show” Tour. Her set includes “Ex’s & Oh’s, “Worth A Shot,” and version of her massive hit “Drunk (And I Don’t Want To Go Home) with Miranda Lambert. The song recently topped the charts making it the first woman-woman collaboration to reach the top spot on Billboard’s Country Airplay chart since Reba McEntire and Linda Davis’ “Does He Love Me” in 1993 which was also the only one on the 1990 launched airplay chart.

“Let me tell you, if anyone is having more fun than me this summer, I want to come join your party too,” laughed King. “I honestly couldn’t be more grateful to the fans and everyone playing, streaming and enjoying my music. This is what I’ve dreamed of and worked for since I was a teenager. I can’t believe this is my job and I get paid for it!”