Heart of Texas Records, in partnership with StarVista Music, proudly announces the release of Tayla Lynn’s first single from her upcoming album, ‘Singin’ Loretta,’ (5/30) — a heartfelt tribute to her iconic grandmother, Loretta Lynn. The single, “Don’t Come Home A-Drinkin’ (With Lovin’ On Your Mind),” was premiered by Whiskey Riff, proving the classic remains as powerful and relevant today as ever. This second full-length solo record features beloved hits like “Rated ‘X’,” “Blue Kentucky Girl,” “One’s On the Way,” and “You’re Lookin’ at Country,” along with a few lesser-known gems such as “Out of My Head and Back in My Bed” and “The Titanic.” Singin’ Loretta will be released on May 30th.

“I remember asking Memaw in what order I should sing her songs in my live show,” shares Tayla. “She said ‘Oh honey, you gotta just kick it off with ‘You Ain’t Woman Enough’ and then roll right into my first number one ‘Don’t Come Home A Drinkin’ and that’ll get ‘em every time.”

As part of its ongoing Opry 100 celebration, the Grand Ole Opry, presented by Humana, is set to launch “Opry 100 Honors” on May 13. The special series of Opry 100 Honors shows, sponsored by Dan Post, will pay tribute to several of the icons who have helped shape the Opry’s first century. The first show will honor Loretta Lynn on May 13, with performances by Opry member Crystal Gayle (Lynn’s sister), granddaughter Emmy Russell, duo Twitty & Lynn (grandchildren of Lynn and Conway Twitty), and Opry members Martina McBride, Carly Pearce, Ashley McBryde, and more.

“As we continue our OPRY 100 celebration, we’re excited to open the door to the Opry’s next century and to laud each of the Opry’s current members. It’s also important to us to honor some of the iconic artists of the past who helped the Opry achieve worldwide acclaim and ensured the show’s longevity. We’re looking forward to this series featuring the music of artists who became household names and whose legacies the Opry will still be celebrating in another 100 years,” said Dan Rogers, Opry executive producer.

Tayla Lynn always knew music would be her path, with no “Plan B” in sight. Performing at a young age with her grandmother, she later collaborated with songwriting legends like James House, Gary Burr, Leslie Satcher, and Jon Randall. After earning a development deal with RCA, she met Caroline Hobby and Jennifer Wayne through mentor Anastasia Brown, forming the trio Stealing Angels.

From 2007 to 2012, they toured the country, performed for troops in Iraq and Kuwait, and worked with Grammy-winning producer Paul Worley. Following her marriage and motherhood, Tayla moved to Seattle, where the music scene reignited her passion. Returning to Tennessee, she resumed performing with her grandmother and launched Twitty and Lynn with Tre Twitty in 2018. Performing over 100 shows annually, they released their debut album Cookin’ Up Lovin’ in April 2024. Tayla also released Tayla Lynn Sings Loretta Lynn in 2022, a tribute to her grandmother, with her follow-up album Still Singing Loretta Lynn set for 2025. Writing with Mark Narmore and Scott Baggett, she continues to blend her own life experiences with the stories of the women who came before her.

More About Tayla Lynn:

Tayla Lynn is a country music artist, comedian, actress, and proud granddaughter of the legendary Loretta Lynn. With a voice rooted in heritage and a spirit all her own, Tayla captivates audiences through raw honesty, soulful performances, and a heartfelt connection to the stage. As one half of the duo Twitty and Lynn with Tre Twitty, she honors her iconic lineage while carving out a bold, authentic path—including co-owning MEPOP Records and their own booking agency. Her albums include Tayla Sings Loretta Lynn (Heart of Texas Records) and the latest Cookin’ Up Lovin’ (MEPOP Records).

Beyond the spotlight, Tayla is a devoted wife and mama, a passionate advocate for sobriety and spiritual healing, and a storyteller with just the right amount of sass—known for tales that’ll make you cry one minute and laugh the next.

Kenny Chesney signed on to bring his iconic positive vibe country to Sphere with the idea that he could deepen how No Shoes Nation experienced so many of the songs they knew by heart. As much as his high energy stadium shows have defined summer in the 21st century, the man Variety deemed, “country music’s only true long-term stadium act” wanted to create something that captured the dynamics of those shows, but also offered an intimacy and immersion into the songs.

With no one realizing, the creative team behind so much of Sphere’s patented technology quietly embedded at several of last year’s personal record-setting Sun Goes Down shows to capture the intensity and drama. But they have also spent this time shooting footage that reflects Chesney’s life, experience and musical meaning across one of modern country’s farthest-reaching careers.

“We didn’t know when we signed on what we were signing up for,” Chesney marvels. “I realized every bit of video was going to have to be shot for this wraparound-the-audience screen, but I had no idea how much creating these moments – because it’s so much more than content – would open up my own creative portals.

“We have to go to California to create the final edit, so we can understand the fullness of how people will experience the visuals, how it will marry to the music. But just the songs we saw earlier in the year, putting the show together is going to be a complete rush.”

Given the almost engulfing visual capabilities that deliver over 171 million pixels across a 160,000 square foot screen that wraps up, over and around the audience, the Sphere shows will deliver No Shoes Nation’s soundtrack in a way it’s never been seen or experienced before. With its 16K x 16K resolution wraparound screen, the world’s highest-resolution LED display, there’s an absorption factor at work for fans that will make this the ultimate live experience.

Beyond the all new, full-immersion content, the impossibly dialed-in sound quality, the Sandbar on the floor, DJ Brandi Cyrus ramping No Shoes Nation up before the show and a set list promising some surprises, the East Tennessee songwriter/superstar sought to make this experience something that changed the way people felt his music.

“You can’t know going into something like this what you are going to experience,” Chesney says. “But you open your arms to all of it, fall into the possibilities and learn a lot about not just the technology, but what else the music is made of. Embrace it all, because it’s awesome.”

Whether it’s a longtime favorite or something never played in concert, Chesney Live at Sphere is turning into a wild ride through a whole lotta life and love. Come early, or just drop by the Guitars, Tiki Bars and A Whole Lotta Love fan experience taking over a nearby two-story space at The Venetian Resort Las Vegas and grab a drink at the Spread the Love bar, then get ready for the man who made stadium summers a rite of passage. As Rolling Stone wrote, “No Shoes Nation fandom will descend upon Las Vegas in May… The shows will be a rare chance to see Chesney outside of the massive football stadiums he usually hits on tour.”

Kenny Chesney Live at Sphere in Las Vegas is presented by Blue Chair Bay® Rum.

The Country Music Hall of Fame® and Museum will explore the life and career of Country Music Hall of Fame member Dolly Parton in a new exhibition, Dolly Parton: Journey of a Seeker. The exhibit will focus on turning points throughout Parton’s more than 60-year career where she overcame obstacles and ignored naysayers to become one of the most beloved and widely recognized celebrities across the world. The exhibit will be open from May 20 until Sept. 2026.

“Being inducted into the Country Music Hall of Fame was one of the greatest moments of my life, and being able to have a personal exhibit for the fans that put me there is a very big deal to me,” said Dolly Parton. “This seeker is very proud and honored, and I hope you enjoy my journey. I will always love you.”

“After accomplishing enough for three lifetimes, Dolly Parton continues to astound and amaze us with her boundless talent, her vivacious wit and her tremendous generosity,” said Kyle Young, chief executive officer of the Country Music Hall of Fame and Museum. “Like all great artists, Parton has demonstrated consistently that she can transform adversity and setbacks into works of stunning beauty and insight into the human condition.”

The exhibit will include clothing, awards, handwritten lyrics, instruments, photographs, exclusive interview footage and more. Examples of items to be displayed include:

• Parton’s first draft of handwritten lyrics to her classic song and #1 country hit “Jolene.”
• A custom-built Gibson five-string banjo with a white metallic finish, rhinestone embellishments and butterfly motifs used by Parton at performances in 1992 and on her “Halos & Horns Tour” in 2002.
• A Sony portable cassette tape recorder Parton used when she wrote the songs “I Will Always Love You,” “Jolene” and “The Seeker.”
• A cowgirl outfit Parton wore in scenes in the 1980 Hollywood film “9 to 5.”
• Hand-painted and beaded boots, designed by Bambi Breakstone, which Parton wore at the photoshoot for her 2002 album, Halos & Horns.
• The Kennedy Center Honors medallion Parton was presented with in 2006 to honor her lifetime of contributions to American culture.
• A Tony Chase-designed lace dress, embellished with pearl beading, Parton wore when she performed the R&B classic “I’m a Hog for You Baby” as a duet with the Muppets character Miss Piggy on an episode of Parton’s ABC-TV variety series “Dolly!” in 1987.
• A Lucy Adams-designed dress, with lace sleeves and skirt and a butterfly-shaped rhinestone design, which Parton wore at appearances on “The Porter Wagoner Show” and the cover of the 1974 album Porter ’n’ Dolly.
• The Gibson L-30 archtop acoustic guitar, built around 1935 — given to Parton as a gift from her brother Floyd Parton — which she played in the 1991 music video for “Silver and Gold,” from her album Eagle When She Flies.
• The dress, with balloon sleeves, chiffon skirt, bugle beading and rhinestone accents Parton wore at a 1978 photoshoot by celebrity photographer Harry Langdon Jr. The likeness of her on a Dolly Parton-themed pinball machine, made by Bally in 1979, was based on one of Langdon’s photos of her in this dress.
• A Steve Summers-designed metallic dress, with mesh fabric, spikes and beaded fringe, was worn by Parton in photos promoting her singles “World on Fire” and “We are the Champions/We Will Rock You,” from her 2023 album, Rockstar.
• The Andreas-designed, rhinestone-covered platform mules Parton wore at the 61^st Annual Grammy Awards on Feb. 10, 2019. The ceremony included a tribute to Parton, in which Miley Cyrus, Little Big Town, Maren Morris, Kacey Musgraves and Katy Perry performed a medley of her songs. Parton joined them onstage to sing “Jolene” with Cyrus.
• Designed for Parton by Lucy Adams, a pantsuit with bell sleeves, bell bottoms and rhinestone-and-bead embellished floral shapes, worn by Parton when she toured with her Traveling Family Band in 1975, and on the cover of Dolly, her 1975 album also known as The Seeker/We Used To.

Dolly Parton was born the fourth of 12 children 15 miles east of Sevierville in a remote cabin in the Smoky Mountains of Tennessee with no plumbing, electricity or access roads. Embracing her father’s enterprising work ethic and her mother’s love of traditional Scots-Irish folk music, she pursued her dream of becoming an entertainer despite limited opportunities. By age 10, Parton performed regularly on radio and television shows in Knoxville, Tennessee; recorded teen-pop tunes in Louisiana at age 13; and signed with Mercury Records in Nashville at age 16 — moving there to pursue her career the day after finishing high school.

Dolly Parton: Journey of a Seeker will explore many times during Parton’s life where her persistence established a pattern to not let critics or business-as-usual policies discourage the pursuit of her dreams. Some of the themes include:

• At age 13, Parton made her Grand Ole Opry debut, but only after she and her uncle Bill Owens persuaded singer Jimmy C. Newman to give her one of his time slots after an Opry manager refused to schedule her, citing her youth.
• After establishing herself in Nashville, Parton resisted advice from record executives who warned that her flamboyant fashions would overshadow her talent — determined to present herself as boldly as she dreamed as a young girl with a vivid imagination and a desire to stand apart and experience life beyond the Smoky Mountains.
• When Parton collaborated with L.A. pop producer Gary Klein for her 1977 album Here You Come Again, many in the Nashville community accused her of abandoning country music in search of pop success. The album became Parton’s first million-selling album, earning her first Grammy Award and led to her film debut as Doralee Rhodes, in Jane Fonda’s upcoming film “9 to 5,” when Fonda heard Parton’s hit “Two Doors Down” from the album.
• To encourage an interest in reading in children five and under in Servier County and to honor her father, who never learned to read but insisted on his children becoming readers, she founded Dolly Parton’s Imagination Library in 1995 — shocking skeptics when 1,700 books reached mailboxes from the first month on. She launched the Dollywood Foundation in 1998, with the Imagination Library as its flagship program, which is now active in all 50 states, as well as in Australia, Canada, Ireland and the United Kingdom.

A singer, songwriter, movie and television actor, author, businesswoman and philanthropist, Parton is a member of the Country Music Hall of Fame, Nashville Songwriters Hall of Fame, Rock & Roll Hall of Fame and Songwriters Hall of Fame, and has received the National Medal of Arts and the Kennedy Center Honors. 

Ribbon Cutting and Grand Opening Celebration Friday, April 4th

Nashville’s nightlife just got a whole lot louder – and a lotmore fun. Pete’s Dueling Piano Bar, the ultimate live music experience, is set to officially open indowntown Nashville, just steps away from Broadway, on Friday, April 4th. Located at 152 2ndAveN. (Lower Level), this exciting new venue will bring an unforgettable blend of live music, high-energy performances, and crowd interaction to Music City.

Get ready for an unforgettable night at Pete’s Dueling Piano Bar, while two talented pianists battle itout on stage, playing crowd favorites from every genre and era. The audience is encouraged torequest songs, join in on the fun, and be a part of the show in an atmosphere that combines livemusic, humor, and non-stop excitement. It’s a one-of-a-kind experience that promises to keep yousinging, dancing, and celebrating all night long.

“We are thrilled to finally bring Pete’s Dueling Piano Bar to Nashville and take part in therevitalization efforts of Second Avenue,” said Austin Walter, partner in Pete’s Dueling Piano Bar.“This city has a rich musical history, and we can’t wait to contribute our energy and passion to thedowntown scene. We’re looking forward to giving both locals and visitors a truly unique place tohave fun, celebrate, and experience live music in a way only Pete’s can offer.”

The highly anticipated grand opening of Pete’s Dueling Piano Bar will take place on Friday, April4th, promising an unforgettable night of live music, celebration, and excitement. Doors will open tothe general public at 7:00 p.m., with a special ribbon-cutting ceremony taking place earlier in theevening at 5:00 p.m.

Guests will enjoy a spacious 10,000 square-foot venue complete with state-of-the-art lighting,sound, and video. With three bars, a VIP section, and a high-energy music-driven party atmosphere,Pete’s will become Nashville’s newest go-to spot for birthday celebrations, bachelorette parties, andunforgettable nights out.

Pete’s is the ultimate spot for unforgettable drinks. Dive into their legendary 52-ounce schooners,perfect for sharing with up to five friends. The “Lucky Duck” schooner is a fan favorite, while their“Tasty Tub Drinks”—craft cocktails served in fun, souvenir bathtubs—are a must-try, each toppedwith a rubber ducky (Nashville’s sporting a cowboy hat!). Don’t miss the bold Bangarang, the zestySpicy Pineapple ‘Rita, or one-of-a-kind shots like “Mexican Candy” and “Wedding Cake” that youcan only find at Pete’s.

ABOUT PETE’S DUELING PIANO BAR
Since its debut in Texas in 1992, Pete’s Dueling Piano Bar has built a loyal following for itsinteractive, high-energy performances and unique party atmosphere. Pete’s Nashville joins agrowing list of locations across the country, including Frisco, Fort Worth, Houston, Austin, andChicago. From birthday celebrations to bachelorette parties, Pete’s offers something for everyonewith entertainment that never stops.

Widely renowned for his singular concerts, with Forbes remarking that he “frequently looks to shake up just how fans experience live music,” Eric Church once again offers a unique live experience with an exclusive pair of shows set for May 23 and 24 at Nashville’s newest live music venue, The Pinnacle, in celebration of the release of his highly anticipated May 2 album, Evangeline vs. The Machine.

The one-off shows will see Church perform the new album in sequence for the first time, while also treating fans to a number of compelling performances of his most iconic hits. A self-proclaimed “album artist,” Church has always championed the power of cohesive storytelling, and Evangeline vs. The Machine is no exception. “An album is a snapshot in time that lasts for all time,” Church shares of the creative approach behind the highly-anticipated new project. “I believe in that time-tested tradition of making records that live and breathe as one piece of art – I think it’s important.”

“I’ve always let creativity be the muse. It’s been a compass for me,” he adds. “The people that I look up to in my career and the kind of musicians I gravitate to never did what I thought they were going to do next – and I love them for it. I never want our fans to get an album and go, ‘Oh, that’s like Chief or that’s like this.’ Painstakingly, I lose sleep at night to try to make sure that whatever we do creatively, they go, ‘Wow, that’s not what I thought.’ I think that’s my job as an artist.”

Lead single “Hands Of Time” is already impressing, having set a new personal record en route to becoming most added at Country radio this week with 135 first-week stations and earning immediate praise from fans and critics alike. Stereogum lauded the “juicy, fired-up Southern rocker about living in a world that increasingly makes no sense to you;” Rolling Stone celebrated the “nostalgic jukebox, full of allusions to songs and artists that were essential to Church’s career: Bob Seger and ‘Hollywood Nights,’ Tom Petty and ‘Even the Losers,’ AC/DC’s ‘Back in Black,’ and Willie and Waylon’s ‘Luckenbach, Texas,’ among them;” and Billboard honored the way “the song builds into a punchy, rock-fueled anthem as Church sings of turning to simple pleasures – particularly music – to fend off the impact of the passing decades.”

Among the other songs featured on the forthcoming Jay Joyce-produced album is “Darkest Hour,” released ahead of the project to support relief efforts following the devastation caused by Hurricane Helene in September 2024, with all of Church’s publishing royalties donated to provide ongoing funds in support of a more resilient future for his home state of North Carolina. “That song had the chance to change things—it already has,” Church reflects. “The greatest concert I’ve ever played was the Concert for Carolina – that’s the greatest thing I’ve been involved with. This song played a big part of that night and is a rallying cry for the people there that still need a lot of help. As a person who writes and performs a song, seeing it truly impact people’s lives is the greatest thing you can hope to accomplish.”

Also included is “Johnny,” a soul-stirring reinterpretation inspired by “The Devil Went Down to Georgia” and the Covenant School tragedy, which Church has previewed in limited settings at both his Chief’s To Beat The Devil residency and the recent Country Radio Seminar, leaving audiences in awe. “About a year ago, we had a shooting here in Nashville at the Covenant School,” he explained when introducing the song during CRS. “Where my kids go to school, my two boys, is about a mile from that school. I will tell you something, the hardest thing I’ve ever done in my life – parent or otherwise – is dropping them off at that school the day after the shooting and watching them walk inside. I sat in the parking lot for a long time, and as fate would have it, as I was pulling out, Charlie Daniels was playing, ‘The Devil Went Down to Georgia.’ I remember thinking, man, we could use Johnny right now, because the Devil’s not in Georgia, he’s everywhere. I went home and wrote ‘Johnny’.”