CHRIS WILLIAMS AND KID REVERIE FIND A DEEPER LEVEL OF COLLABORATION ON NEW ALBUM
Something From Nothing Due out March 3rd; Hear first single “Half a Mile” Dec. 20
Chris Williams and Kid Reverie’s new album began with an inquisitive search for a simple sound. Having heard Steve Varney’s (Kid Reverie) open-back banjo accompanying fellow songwriter Gregory Alan Isakov on a YouTube video, Williams began tracking down something similar for his own personal collection. “That banjo sounded so amazing on one condenser mike, and I wanted to find one like it,” says Williams. After a long search, he landed on Varney’s website. Williams noticed that he offered lessons and decided to sign up for one or two. “I was so taken with his work and his instrument that I’d pay to talk to him,” Williams chuckles. Kid Reverie recalls, “Chris always came to our lessons with a solid idea. I routinely found myself saying something like, ‘This is great, now let’s make it a song.’”
The pair have just announced the upcoming album Something from Nothing—due out March 3rd, 2023. Born from their initial collaboration, the pair eventually c0-wrote the twelve songs that became Something from Nothing. C0-produced by Williams and Varney and mastered by Varney, the two played every instrument on the album—with the exception of Michael McKee who joins in on drums for five songs and Ayda Varney who plays cat toy sounds on a tune. “This process was very cathartic. It took a trying time for both of us and allowed us to open ourselves to a writing partnership that neither of us expected. I am grateful for this amazing musical experience and hope everyone enjoys these songs as much as we loved creating them!” Kid Reverie affirms that he’s “rarely had such deep collaboration with another songwriter. For so long it felt like we were just doing lessons. I think it took both of us quite a while to realize we were co-writing songs and making an album.”
Today, Chris Williams and Kid Reverie shared the first listen from Something from Nothing, the ebbing and flowing “Half a Mile.” Written a few tunes into Williams’ and Varney’s time writing songs together, “Half a Mile” was a marked point of exploration for the pair, entering a mix of time signatures and tempo changes. “Every writing session we had, I was blown away by Steve’s in-depth knowledge of theory, song structure and catalog of hundreds of songs and examples within each at his fingertips,” remembers Williams. “Very useful when reaching for ideas and inspiration.”
Joined on drums by the aforementioned McKee, Williams and Varney lay down a luscious bed of stringed instruments and on which the song’s story is told. “‘Half a Mile’ is about growing in different ways; about questioning generational teachings we all morph into by process of hand-me-down traditions,” says Williams, adding, “Finding we can have it multiple ways without abandoning anything entirely.” With a stack of beautiful background vocals and string arrangements, the song’s second chorus crashes into a loping ¾ time before stripping it all away and returning to the original feel for the final verse. “It’s hard to remember exactly who did what throughout each song, as we both wore so many hats,” Williams remembers. “As usual, our songwriting process was super gratifying.”